Favorite Films of the 1950s

I rated all these 1950s films a 9 or 10 out of 10.

All About Eve (Mankiewicz, 1950)
In a Lonely Place (Ray, 1950)
Night and the City (Dassin, 1950)
The Gunfighter (King, 1950)
Rio Grande (Ford, 1950)
Gun Crazy (Lewis, 1950)
Sunset Blvd. (Wilder, 1950)
Rashomon (Kurosawa, 1950)
La Ronde (Ophüls, 1950)
Strangers on a Train (Hitchcock, 1951)
The Day the Earth Stood Still (Wise, 1951)
Diary of a Country Priest (Bresson, 1951)
A Streetcar Named Desire (Kazan, 1951)
A Christmas Carol (Hurst, 1951)
Early Summer (Ozu, 1951)
The African Queen (Huston, 1951)
Ikiru (Kurosawa, 1952)
Singin’ in the Rain (Kelly & Donen, 1952)
Umberto D. (De Sica, 1952)
Stalag 17 (Wilder, 1953)
Tokyo Story (Ozu, 1953)
Mr. Hulot’s Holiday (Tati, 1953)
Ugetsu (Mizoguchi, 1953)
The Earrings of Madame de… (Ophüls, 1953)
The Band Wagon (Minnelli, 1953)
The Naked Spur (Mann, 1953)
I Vitelloni (Fellini, 1953)
Pickup on South Street (Fuller, 1953)
Seven Samurai (Kurosawa, 1954)
On the Waterfront (Kazan, 1954)
La Strada (Fellini, 1954)
A Star Is Born (Cukor, 1954)
Them! (Douglas, 1954)
Rear Window (Hitchcock, 1954)
Pather Panchali (Ray, 1955)
Night and Fog (Resnais, 1955)
Kiss Me Deadly (Aldrich, 1955)
The Night of the Hunter (Laughton, 1955)
Ordet (Dreyer, 1955)
Diabolique (Clouzot, 1955)
Lola Montès (Ophüls, 1955)
Aparajito (Ray, 1956)
The Searchers (Ford, 1956)
Wild Strawberries (Bergman, 1957)
Nights of Cabiria (Fellini, 1957)
The Seventh Seal (Bergman, 1957)
Sweet Smell of Success (Mackendrick, 1957)
The Bridge on the River Kwai (Lean, 1957)
A Face in the Crowd (Kazan, 1957)
The Incredible Shrinking Man (Arnold, 1957)
Witness for the Prosecution (Wilder, 1957)
Vertigo (Hitchcock, 1958)
Touch of Evil (Welles, 1958)
Ivan the Terrible, Part 2 (Eisenstein, 1958)
Mon Oncle (Tati, 1958)
The World of Apu (Ray, 1959)
Some Like It Hot (Wilder, 1959)
Hiroshima, Mon Amour (Resnais, 1959)
The 400 Blows (Truffaut, 1959)
Anatomy of a Murder (Preminger, 1959)
Room at the Top (Clayton, 1959)
North by Northwest (Hitchcock, 1959)

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